The floral art of Ezio De Angelis in the most evocative locations

Every venue has its own light, its own pace, its own mood — and that mood shifts with the season, the time of day, and the people who fill it for a few hours. Over thirty years I've worked in historic villas, vineyard castles, medieval villages, old limonaie, countryside chapels, and rooftop terraces above Florence. I've set up ceremonies at dawn and decorated dinner tables that were still going long after midnight.
What I've learned is that knowing a venue well isn't just a logistical advantage — it's part of the design. When I've worked somewhere before, I already know where the afternoon light lands, which corners need structure and which ones breathe better with almost nothing. I know how guests move through the space, where the key photographic moments happen, what the bride sees when she walks in. That knowledge lets me design with precision rather than guesswork.
The venues in this section are places I've actually worked — some once, some many times over. They span Tuscany, Umbria, and Central Italy: Medici villas and wine estates, hillside villages and boutique hotels, city churches in the heart of Florence and open-air chapels in the Val d'Orcia. Very different contexts, all with one thing in common — they need floral design that talks to the space, not fights it.
My approach doesn't change with the venue. I start by listening: to your story, to the atmosphere you want to create, to your real budget. The venue is the starting point, not the constraint.
From the Chianti hills to the Maremma coast, from the Val d'Orcia to the slopes of Umbria — every context has its own character and every project starts from listening carefully to that space. Browse these images and see what speaks to you. If something catches your eye — or if you have a similar place in mind — get in touch. The conversation comes before the quote.